Erikson, epiphanies, and me

​Taking It All In by Karen Offutt

​Taking It All In by Karen Offutt

I was making the bed today when I started thinking about Erik Erikson. I'm not sure what it was about the mundane act of fluffing wrinkled pillows and tucking sheets that made my thoughts alight on him in particular but there he was, in my mind on a Monday morning. 

Maybe it was because it is Memorial Day back in the US. I thought of the many family members making their pilgrimages, with flowers in their arms and memories in their hearts, to stone tablets marking the lives and legacies of loved ones.​  

Erikson, bless his theory-making heart, is one of my top-three developmental psychology gurus. He thought about development as a lifelong proposition, with stages progressing fully into old age. Each stage has a conflict that influences biological, social, and individual psychological development. The successful resolution of each conflict--which must be done before moving on to the next stage--leads to a resulting virtue. Each builds on the one before it. Just as a quick runthrough (that will thoroughly cheat his theory of its deserved explanation), the stages look like this:​

  • Birth-1 year: Trust vs. mistrust. Leads to hope.​
  • 2-3 years: Autonomy vs. shame & doubt. Leads to will.
  • 3-5 years: Intiative vs. guilt. Leads to purpose.
  • ​6-12 years: Industry vs. inferiority. Leads to competence.
  • ​13-18 years: Identity vs. role confusion. Leads to fidelity.
  • 18-40 years: Intimacy vs. isolation. Leads to love (and partner/family formation).
  • 40-65 years: Generativity vs. stagnation. Leads to care (giving back)
  • ​65 years and older: Ego integrity vs. despair. Leads to wisdom.

I think I might be the poster child for that seventh stage right now! (Never mind how gut-dropping is it that I am now in the seventh of eight life stages! Zoinks. Oh, and we will tackle his teen identity stage another day, I promise.)  I think "generativity" could also be replaced with "creativity." If you are anywhere near that age range, maybe you can relate, too? 

This stage, says Erikson, is all about a new, dawning awareness and need to make an impact in the world, to understand the bigger picture, and use our own voices.  It's all about creating a community, a legacy beyond stone memorials, and giving back. It's the pull to keep learning and not stagnate.  It's why I returned to grad school, I think, and why I leapt into this blog project. It's why, in the middle of a rather scary series of mammograms a couple of years ago (it turned out fine, whew) I thought "but I haven't written my book yet." Oh, Erik. Spot on, sir.

This clip of an interview with the always inspiring Maira Kalman goes along with this sentiment/stage perfectly (found via Brain Pickings):

"It's love and it's work. What else could there possibly be?...What is the most wonderful thing I could be doing and who are the most wonderful people I could be with?"


How does your life compare with Erikson's stages? Are you aware of the drive for generativity/creativity? What kinds of things are you planning for the life-after-children years? Are they the same or different from what you're doing now?​

Baby steps

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Right now I'm working on macaron-making. Here's the skinny: the macarons pictured above were made using Tartelette's recipe.​ This was my second batch, and while they look pretty darn decent in the picture, they were slightly undercooked! I know. So finicky. My first attempt was an unmitigated disaster. And the third? Those went straight from pan to garbage. Ugh!  As soon as I go buy myself another kinda expensive, tiny bag of almond flour -- I'm trying these -- because I like to punish myself. 

In between macaron experimenting I started attending a boot camp in the evenings and on Saturdays. I've been three times so far. As I type this my shoulders are tight, almost crampy. I also need to cough but am trying my best NOT to cough because my stomach muscles simply don't have the energy. Also, they burn and hurt when I cough. When I'm actually at boot camp? Let's just say ​the image vacillates between sad and ugly. Guys! I have the upper body strength of a newborn. Let's not even talk about my core. It's on fire, remember?

And thirdly . . . last Friday, I had a meeting with my dissertation chair over one of my chapters. It went okay. We had a good discussion: she explained the weaknesses in the chapter, I argued my own position. She was nice, even (somewhat) complimentary at times. But she in no way patted me on the back, handed me a cigar, and told me that what I had written was brilliant, erudite, and ready for publication. No. Not any of that. There is more work to do. Argh.

When I was young, I pictured my 40-something self as capable, assured, making things happen. And yet, the real 40-year-old me is still taking baby steps -- fumbling in the kitchen, struggling on the playing field, pecking away at my computer keyboard. ​It's hard work, this life of frothy egg whites and unruly thighs and theoretical feminist concerns. I do wish for mastery, make no mistake. In some ways I need just a modicum of success, a whisper that "I'm okay," or heck, I'd take small french cookies that are perfectly baked. But right now . . . I'm feeling my back up against the wall, and it's not an entirely bad feeling. My best work generally comes from defiance. Tell me I can't do something and I WILL SHOW YOU. I'm feeling the need to gird up my loins, fresh courage take -- to make lists, to read, to run up a hill without having palpitations. 

The frothy egg whites? No promises there.​

Hallelujah anyway

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Yesterday afternoon, while checking Facebook, I saw that Annie had shared Anne Lamott's latest post. It was just what I needed to hear.​ For me her admonition is about writing, but I think her philosophy is equally applicable to any interest or passion. It's about making things happen. About not wasting our time here on the planet. About becoming the person we really want to be. And the really interesting part? She insists that these parts of us shouldn't be reserved for when our kids are grown or we retire -- that magical space where we think time resides.

Way to go Anne:
I had a great idea for a new book, although come to think of it, maybe it is just a Facebook post. But it would be called Pre First Draft, and address the way we suit up and show up to be writers, artists, and general tribal-two-stomp creative types.

I think it would begin with an admonition: if you used to love writing, painting, dancing, singing, whatever, but you stopped doing it when you had kids or began a strenuous career, then you have to ask yourself if you are okay about not doing it anymore. 

If you always dreamed of writing a novel or a memoir, and you used to love to write, and were pretty good at it, will it break your heart if it turns out you never got around to it? If you wake up one day at eighty, will you feel nonchalant that something always took precedence over a daily commitment to discovering your creative spirit?

If not--if this very thought fills you with regret--then what are you waiting for?

Back in the days when I had writing students, they used to spend half their time explaining to me why it was too hard to get around to writing every day, but how once this or that happens--they retired, or their last kid moved out--they could get to work.

I use to say very nicely, "That's very nice; but it's a total crock. There will never be a good time to write. It will never be easier. If you won't find an hour a day now, you won't find it then."

It's the same belief as thinking that once you lose weight, you'll begin to feel good about yourself. No, you won't. If you're not okay with yourself at 185 pounds, you're not going to be okay at 140. It's an inside job. 

How do you begin? The answer is simple: you decide to. Then you push back your sleeves and start writing--I.e., scribbling words down on paper, or typing at a computer. And it will be completely awful. It will be unreadable shit! You won't have a clue how it account to anything, ever. And to that, I say, Welcome. That's what it's like to be a writer. But you just do it anyway. At my church, we sing a gospel song called, "Hallelujah anyway." Everything's a mess, and you're going down the tubes financially, and gaining weight? Well, Hallelujah anyway.

So you decide to get back to work creatively, and you write up some thoughts or passages or memories or scenes. Then what? Then you write some more. Everywhere you go, you carry a pen, and take notes--ideas will start to come to you. You'll see and overhear and remember things that you want to include in this mysterious quilt you're putting together, so you jot them down. Imagine a rag-bag guy who lives inside you, who collects images, descriptions, holy moments, snippets of funny conversation, for you to use in your writing--but he doesn't have any hands, and needs you to help him amass the rags with which you can make squares for the quilt.

That's all you have to do today: pay attention--being a writer is about paying attention. Stop hitting the snooze button. Carry a pen with you everywhere, or else God will give me all these insights and images that were supposed to go to you. Hang up a shingle on the inside of you: now open for business. Wow! You won't have to wake up at 70, aching with regret that you threw your creative essence under the bus. And if you already are seventy, then you won't have to wake up at eighty, confused and in despair about how you let your gift slip away. Because you will have been writing--or dancing again, or practicing recorder--every single glorious, livelong, weird, amazing day. -- Anne Lamott